I design print collateral for businesses in Mykolaiv — from business cards and catalogues to packaging for agri-export and HoReCa menus. I handle pre-press, CMYK and bleeds, so the run from a printer on Soborna or Bohoyavlenskyi Avenue matches what's on screen.
Fill out the form or give me a call
We'll discuss format, print run and preferences
Receive print-ready layouts
I design printed materials of any format and complexity
Stylish business cards considering printing method: offset, digital, embossing, foil stamping.
Brochures, leaflets and flyers for advertising campaigns, events and promotions.
Multi-page product catalogs, corporate magazines and annual reports.
Product packaging: boxes, labels, stickers, bags considering manufacturing requirements.
Large-format materials: roll-up banners, press walls, signage, promotional stands.
Mugs, t-shirts, caps, notebooks, pens and other branded merchandise.
Car wrap design — passenger, cargo, corporate fleet. Eye-catching advertising that works around the clock.
Creative sticker packs for your brand — product labels, merch, promo materials and messenger stickers.
I clarify objectives, target audience, format, print run, and printing house technical requirements.
I develop the visual concept and create a layout aligned with the brand's corporate identity.
I make revisions, polish details, check text content, and information hierarchy.
I prepare files in CMYK format with bleeds, crop marks, and printing house technical specs.
If needed, I oversee the printing process, check color proofs, and final product quality.
Choose the optimal package for your project
1 print layout
$30$50What's included:
Up to 12 pages
$150$200What's included:
Comprehensive design
$300$400What's included:
20 stickers
$200$280What's included:
Answers to the most popular questions
Cost depends on the medium and scope. Basic items — business card, letterhead, envelope, folder — are flat-rate "per unit" packages. Multi-page editions — booklets, product catalogues for an agri-exporter, newsletters — are calculated by the number of spreads and layout complexity. Packaging and labels for Mykolaiv-region producers (sunflower oil, honey, wine, Sandora-style food products) are scoped separately because they involve advanced pre-press, a technical dieline and coordination with the manufacturer.
Reference points: a business card from scratch starts at the basic package, a corporate kit (card + letterhead + envelope + folder) is a standard package, a 16-32 page catalogue is a premium package. Mykolaiv businesses ordering print together with branding or logo design get combined packages — cheaper than the sum of individual services.
Yes. In Mykolaiv I prepare files for various types of print houses — offset (for runs from 1,000), digital boutique shops (for short runs and personalisation) and wide-format (for outdoor advertising on Soborna or Bohoyavlenskyi Avenue). Each has its own technical requirements: ICC profile, bleed format, minimum ink coverage, font handling, PDF export specs.
Before final export I check with your contractor which standard they work to, and prepare files for it: PDF/X-1a or PDF/X-4, Total Ink Limit 280-320%, bleed 2-5 mm, fonts converted to outlines. If you don't have a printer yet — I'll recommend trusted ones in Mykolaiv or in nearby Ochakiv, Voznesensk, Pervomaisk. This saves you 1-2 iterations of back-and-forth with their account manager.
Pre-press is the preparation of the design for production. It includes: colour conversion from RGB to CMYK with correction for the specific paper, setting bleeds (2-5 mm) and a safe zone for text, fixing overprints, converting fonts to outlines, checking image resolution (300 dpi for offset, 150-200 for wide-format façade banners).
Without pre-press even the best design prints with artefacts: thin lines disappear, black turns grey, text gets cropped. It's not an "extra step" — it's the baseline norm. If a designer doesn't do pre-press, you're paying for a nice screen image, not a finished business card in Mykolaiv. More on the process at Print Design.
Yes — it's one of the top requests from Mykolaiv clients. The region is a hub for sunflower oil, grain and processed food, so packaging often heads to the EU, Middle East and Africa. That places extra demands: bilingual labelling (UA + EN, sometimes AR/FR), regulatory compliance (composition, nutrition table, barcode, EU 1169/2011 for food), transport packaging (cartons, shrink-wrap, pallet logic for container shipments out of the port).
I receive a dieline from you or your manufacturer, agree the material with the production technologist, and design every face. For labels I separately consider the application method: pressure-sensitive for oil bottles, thermal transfer, in-mold for plastic bottles. If you also need a logo or brand identity — it's done in a single cycle.
Depends on the medium:
If faster is needed — we discuss an expedited format. If the project comes bundled with a website — some stages run in parallel.
Yes. The standard delivery package for Mykolaiv clients includes working files (Adobe Illustrator AI for single-page items, InDesign INDD for multi-page editions, Photoshop PSD for raster materials) plus exported PDFs in print format (PDF/X-1a or PDF/X-4) and a web PDF for presentations or sending to clients by email.
This is a principled position — you're paying for the design and you should be able to reprint at another printer later (for example, move from Mykolaiv to Kyiv as you scale), update an address on a letterhead, swap a manager's name on a card. Without working files you depend on me (or on the printer) for years. That's not partnership, that's lock-in — and I avoid it. More at Print Design.
Through a three-step system. Step 1: I work on a calibrated monitor in CMYK with an ICC profile for your paper stock (coated, uncoated, design paper, packaging board — each has its own profile). Step 2: before the run we produce a digital proof at the actual Mykolaiv printer — it gives a realistic picture of what offset will deliver. Step 3: for critical colours (brand, skin tone, product) we use Pantone or spot inks.
For a Mykolaiv business where the brand colour must be identical across business card, letterhead, oil packaging, wine bottle label and façade signage — the Pantone approach is the most reliable. It's an extra investment, but justified for brands going to export markets, where colour is part of recognition.
That's a normal — and quite common — scenario. If you have a complete brand book (colours, typography, usage rules), I work within it and produce print in unified style. If you only have a vector logo but no brand book, I start with a mini-audit: we pick a palette, typography and graphic rules that become the foundation for the print collateral and future media.
If you only have a raster logo in JPG or PNG (a frequent story for Mykolaiv companies whose logos were drawn 10+ years ago for paper) — I recommend doing a vector redraw before the print job. Without a vector, anything bigger than A4 — especially a port-warehouse sign or office façade — will always show pixel artefacts in print.
Yes — it's one of the popular tracks in the local HoReCa segment. Mykolaiv has a saturated market of cafés on Soborna and Admiralska, restaurants in the Central district, bistros in Korabelnyi, coastal venues toward Ochakiv. A menu isn't just a list of dishes; it's a sales tool: price anchoring, appetite triggers, navigation through a guest's eyes.
I design menus with the actual UX of a guest in mind: which dish is read first, where the visual trap is, how top items are highlighted, how typography is organised for the waiter's convenience. Separately I account for operating conditions: lamination, water resistance (relevant for coastal venues), format (A4 / A5 / triptych / leporello), seasonality (summer menu for tourists, winter for locals). Often I deliver a QR menu for online access in parallel and align it with a landing page for the venue.
Yes. Outdoor advertising is its own class of task with its own technique. You have to factor in: viewing distance (text from 5 m, 30 m, 100 m demands different sizes and contrasts), material (banner fabric, acrylic, composite, vehicle vinyl), lighting (day, night, side light, lightbox), file format (for wide format, typically 100-150 dpi at actual size, but in CMYK with the right profile).
In Mykolaiv I align the artwork with the specific sign manufacturer — each one has its own requirements. For port-and-logistics clients and Inhulskyi-district production sites I often deliver a kit "façade sign + on-site wayfinding + vehicle branding" — that makes the site visually cohesive. Often paired with a brand identity for the company.
No problem. Most of my clients aren't only Mykolaiv proper but also Ochakiv, Voznesensk, Pervomaisk, Snihurivka, Bashtanka, plus Odesa, Kherson, Kyiv. Print design is easy to order remotely: brief via questionnaire or video call, presentations via Figma + PDF prototypes, colour sign-off via digital proof (the printer mails you a sample by Nova Poshta).
If your printer is in another city, I prepare files to its technical specs. If you're happy with a run from Mykolaiv, I'll suggest local manufacturers who ship across Ukraine. The work is fully online with regular synchronous sessions on Zoom or Google Meet — no need to travel to Mykolaiv.
Yes — for critical orders such as the first run of new sunflower-oil export packaging, a launch batch of business cards, or a large product catalogue for an exhibition, this dramatically reduces the risk of error. I plug in remotely for the press sign-off: I review proof photos and video from the printer, evaluate whether the colour registration is correct, whether the paper matches the order, whether there are stray artefacts. If needed, I direct your on-site account manager or technologist.
It's especially valuable for clients who have never worked with offset before and don't know what to look for. The service is included in the premium package or ordered separately. For clients from Kyiv or Odesa who print in Mykolaiv for the price advantage, I often act as their "remote eyes" and ask for proof photos from the floor. More at Print Design.
Comparison with other options
| Alex Filiuk | Printer with in-house designer | |
|---|---|---|
| Design approach | ✅ Designed from scratch for your brand | 📋 Template + logo swap |
| Pre-press and CMYK | ✅ Colour correction, ICC profiles, 3 mm bleed | ⚠️ Often RGB, bleeds "by eye" |
| Fonts and licences | ✅ Licensed, converted to outlines | ❓ Often pirated, risky for edits |
| Meetings in Rivne | ✅ In person, with printed samples | ⚠️ Only at the printer's reception |
| Press proof | ✅ Agreed before the run | 💰 Often a separate charge |
| Paper and finishing | ✅ Picked to fit the task: varnish, embossing, foil | 📋 Standard stock from the printer |
| Source files after project | ✅ Working AI/INDD + PDF/X-1a | ❌ Usually only the final PDF |
| Support before the run | ✅ I go to the printer with you for sign-off | ⚠️ Run goes "on the client's responsibility" |
Print is the class of design where mistakes cost the most. If you find an inaccuracy in a website mockup, you fix it in 5 minutes and redeploy. If the mistake shows up in a 5,000-label run for sunflower oil or a 1,000-box order for a Sandora-style product — that's wasted money, a lost export contract, delayed shipments out of Mykolaiv Port. That's why I treat print design in Mykolaiv with production-grade discipline: I think about the printer at the same time as composition, about the paper at the same time as colour, about bleed margins at the same time as typography, about run logistics at the same time as the dieline.
I'm Alex Filiuk, Senior UI/UX and graphic designer with 15 years of experience. In that time more than 300 print items have shipped to production — business cards, letterheads, folders, newsletters, brochures, catalogues, packaging for agri-food and FMCG, labels for oil and wine bottles, leaflets, restaurant menus, outdoor advertising, façade signage. Clients include companies from Mykolaiv and the Mykolaiv region, from Odesa, Kherson, Kyiv, Lviv, the EU, USA and Middle East. On this page I've gathered everything a business owner or marketing lead should know before commissioning print design in Mykolaiv: what the process looks like, what pre-press is, how to avoid typical mistakes when working with printers, how much it costs, which medium suits which task.
Mykolaiv is a city with a strong industrial-port core: shipbuilding heritage (Chornomorskyi Shipyard, Ocean, 61 Komunara), an agri-export hub (Nibulon, grain and sunflower-oil trade), food processing (Sandora), the maritime port, pharma (Optima Pharm). That shapes a specific demand for print: plenty of technical catalogues for B2B clients, export packaging with bilingual text, tender folders for state contracts and international deals, HoReCa in a coastal format (Admiralska Square, Soborna, venues toward Ochakiv and Tyligulskyi liman).
The city has offset printers, digital boutique shops, wide-format manufacturers for outdoor advertising and packaging plants. The market is dense, prices are competitive (15-30% cheaper than Kyiv at the same quality), so clients from Odesa, Kherson and Kropyvnytskyi come to Mykolaiv for print. But there's a catch: design and production are different professions. Most Mykolaiv printers have an "in-house designer" who can quickly typeset your business card from a template for a small fee. It looks like "design" too. In practice, it's a recycled stock template already used by dozens of businesses in town, with no understanding of audience, no branding logic, no legibility check.
I work not as a "designer attached to a printer" but as an independent specialist with the full cycle: design, pre-press, coordination with the manufacturer, run control. It costs more than a template at the printer, but the result pays back within months through stronger recognition, lead conversion and — for exporters — the ability to enter new markets with materials at European-grade standards. If you're planning a serious market entry — consider the comprehensive route: branding, logo, print collateral in unified logic.
Print is a broad category, so I split it by sub-category. Each one has its own approach.
I work via a transparent process where each stage has a fixed deliverable you can see. No "trust me and wait" — you know what's happening every week.
The price comes from the scope of work, not from geography. Reference points (exact figures are in the "Pricing" block):
If you order print together with branding, a website or ad creatives — the combined package costs less than the sum of individual services. It's business logic: one context, one typographic logic, shared market research.
Pre-press is the preparation of the layout for a specific printer. It isn't a "technical formality" — it's a separate craft that distinguishes good design from "design that doesn't print". Here are the key aspects I work with.
If a "designer" hands you a JPG or PNG "for print" — that's a guarantee of problems on the run. JPG is unsuitable for print in principle: no vector objects, no fonts, no bleeds, no CMYK. It's a marker that the person doesn't understand the production process.
In Mykolaiv I've prepared files for various manufacturers — from large offset houses to small digital boutique shops and wide-format makers. Tips for choosing:
If you haven't picked a Mykolaiv printer yet — I'll recommend trusted ones for your task. It's free, part of the work.
My portfolio includes 130+ projects, a substantial portion of which involves print — either as the main deliverable or as part of full branding. Clients include retail, HoReCa, medical centres, manufacturers (food, agribusiness, ship repair) and IT startups from Mykolaiv, Odesa, Kyiv, Lviv, the USA and Europe.
If you'd like concrete examples — visit the Projects section or get in touch via the contact form: I'll pick 5-10 most relevant cases for your niche — for instance, if you're opening a café on Soborna, I'll show menus and HoReCa kits; if you're launching a product in retail, packaging projects; if you're preparing an export catalogue, examples of bilingual editions.
Print collateral for Mykolaiv businesses has specifics I factor in:
Print is part of an ecosystem. If you're planning a serious launch or rebrand, a comprehensive approach is worth considering:
I work not only with the Mykolaiv region. If you have offices in several cities or are planning regional expansion — we'll build a system that scales:
The full list of locations is on the Service Areas page.
If you have a specific request — fill in the contact form or write to email/Telegram (contacts in the website footer). The first consultation is free, up to 60 minutes, online via Zoom/Google Meet with regular synchronous sessions. We'll discuss your business, which media you need, an approximate budget, the printers you plan to use, and timelines. After that I'll send a detailed proposal with a fixed price — no surprises, no hidden fees.
I'm ready to design print collateral for your business in Mykolaiv that doesn't need rework on the run and works for the brand for years. Not "another business card", but a marketing tool with production-grade precision — from local HoReCa to export packaging tuned for European markets.