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  1. Home
  2. ›Service Areas
  3. ›Lutsk
  4. ›Ad Creatives

Ad Creatives in Lutsk, Ukraine

I create ad creatives for businesses in Lutsk — banners for Google Ads and Meta Ads, TikTok and YouTube creatives, 6-15-second video cards for hotels near Lubart Castle, dental clinics and local retailers. Focus on CTR, not pretty pictures — every creative is tested against metrics.

15+years in visual communication
500+creatives for paid advertising
Lutskand Volyn — primary location
100+Satisfied clients worldwide
View portfolio
+38 (097) 770 10 97
Available slots for June: 2
Erwin Hall
Richie's House
Solars Power Systems
Unity Auto
Ad Creatives in Lutsk, Ukraine
Alex FiliukCEO & Founder at High-End Agency15+ years of design & development

Leave a request

Fill out the form or give me a call

Free consultation

We'll discuss ad goals and formats

Get the result

Receive ready creatives to launch your ads

Types of Ad Creatives

I create ad materials for all digital channels and platforms

🖼️

Google Ads banners

Static and animated banners for Google Display Network in all standard sizes.

📱

Facebook/Instagram creatives

Ad images and videos for feed, stories and reels in Meta Ads formats.

📸

Stories & Reels

Vertical 9:16 creatives for Instagram/Facebook/TikTok stories and short-form video.

🎠

Carousel ads

Slide series for carousel ads on Instagram and Facebook with unified visual story.

▶️

YouTube thumbnails & covers

Attractive video thumbnails and channel covers that increase CTR and brand recognition.

📧

Email banners

Graphics for email campaigns: headers, promo banners, buttons and illustrations.

Work Process

1

Brief & Strategy

I clarify campaign goals, target audience, placement platforms, and key messages.

2

Concept

I develop 2-3 visual creative concepts with different communication approaches.

3

Design & Adaptation

I create final creatives and adapt them to all required sizes and platform formats.

4

A/B Variants

I prepare variations for A/B testing: different headlines, colors, CTAs for result optimization.

5

Delivery & Optimization

I deliver ready files and adjust creatives based on initial campaign results if needed.

Pricing

Choose the optimal package for your project

Single

Ad Creative

1 creative

$20

What's included:

  • Design of 1 ad creative
  • Any format and size
  • Google Ads, Facebook, Instagram, TikTok
  • Static or animated (GIF)
  • Adaptation to additional size+$5
  • Source file PSD/Figma
Fast & affordable
Basic

Banner Set

5 sizes for one platform

$80$120

What's included:

  • 5 banner sizes
  • Static format (JPG/PNG)
  • 1 visual concept
  • 1 revision round
  • Download-ready files
Ready in 1-2 days
Standard

SMM Package

10 posts + 5 stories

$150$200

What's included:

  • 10 feed posts
  • 5 stories/reels templates
  • Unified visual style
  • Figma templates
  • 2 revision rounds
  • Adapted for Instagram + Facebook
Ready in 3-5 days
Business

Ad Campaign

Complete creative set

$300$400

What's included:

  • Google Ads banners (8 sizes)
  • Facebook/Instagram creatives
  • Stories and Reels templates
  • Carousel ads
  • YouTube thumbnails
  • Email banner
  • 3 revision rounds
Ready in 5-7 days

Portfolio

Examples of completed projects

Michelle Bell

Michelle Bell

Coffee Station

Coffee Station

Imprint

Imprint

CYTY

CYTY

FundlyHub

FundlyHub

Best 365 Care

Best 365 Care

Frequently Asked Questions

Answers to the most popular questions

Pricing depends on volume, formats and the number of variants for A/B testing. Approximate ranges:

  • Starter pack — 5–8 static banners for Meta Feed/Stories or Google Display, base brand styling, 2–3 hook variants.
  • Standard pack — 10–15 creatives across formats (static + 1–2 short videos up to 15 s), placement adaptation, 4–5 hook variants for testing.
  • Premium pack — full production: 20+ creatives, video series for Reels/TikTok/YouTube Shorts, separate Performance Max versions, creative concept of an entire campaign.

Exact prices are in the “Pricing” block above. For Lutsk businesses ordering Google Ads setup or SMM management in parallel, combined packages with a 15–20% discount are available.

Yes. I travel to clients in Lutsk and the Volyn region for the brief — Lutsk-Rivne is ~75 km, which lets me run the meeting in a single day. The first session is usually 60–90 minutes: we discuss the product, audience, competitors in the Volyn market, prior campaigns and their metrics, budget, KPIs.

We can meet in your office (Yevropeiskyi business centre on Hrushevskoho, coworking spaces on Lesi Ukrainky) or in a café around Teatralna square. Further work goes online via Figma + Google Drive — faster than crossing the region weekly. If the project includes branding, the final presentation can be done in person.

I work with the full spectrum of formats for modern ad platforms:

  • Meta (Facebook/Instagram) — Feed (1:1), Stories/Reels (9:16), carousel (1:1), Marketplace, Audience Network. Separate hook frames for the first 0.5 s.
  • Google Ads — Display banners (300x250, 728x90, 160x600 and other IAB sizes), Responsive Display Ads, Performance Max creatives, YouTube In-Stream (16:9), Bumper Ads (6 s), YouTube Shorts (9:16).
  • TikTok Ads — In-Feed Ads with native editing, Spark Ads, TopView, Branded Effects (on request).
  • LinkedIn, Twitter/X, Pinterest — by separate request for the B2B Volyn agro/IT segment.

All creatives are delivered as working files (PSD/AI/Figma + MP4/PNG/JPG/GIF exports) and ready to upload to the platform.

Hook — the first 0.5–1.5 seconds of the creative. This is what makes the user stop scrolling: visual contrast, intrigue, a provocative question, a number, a face. Without a strong hook, 90% of the budget burns on impressions that no one watched past second two.

Offer — specific value for the audience. Not “we're cool”, but “delivery in Lutsk in 30 min”, “25% off until Friday”, “free consultation”, “new fall-2026 collection”.

CTA — a clear instruction on what to do. “Order”, “Learn more”, “Book”, “Submit form”. Without a CTA, the user doesn't know the next step — and just scrolls past.

Each of my creatives goes through a checklist for all three elements. If any one is missing — we redo it before launch, not after burning a test budget.

Yes — A/B testing is a mandatory part of the process. A single creative in a vacuum is a lottery: maybe it works, maybe not. Testing 3–5 variants gives a realistic picture of which hook works specifically on your audience in Lutsk and the region.

The standard approach: per campaign I prepare 3–5 hook variants with different opening frames but one offer and one CTA. Over 5–7 days on a test budget, we see which hook delivers the best CTR and CPA. Then we scale the winner and turn off the weak ones. In the next iteration I test offer variants on the top hook — that's two-stage optimisation.

This mechanic requires coordination with ads setup and landing page analysis — otherwise the test is contaminated.

Depends on volume and format:

  • Starter pack (5–8 statics) — 3–5 working days from brief to final delivery.
  • Standard pack (10–15 creatives across formats) — 5–7 working days.
  • Premium pack (full production with video and Reels) — 10–14 working days. If there's a shoot with a real product or people — add 3–5 days for coordination.

For Volyn businesses launching a seasonal campaign (e.g., hospitality near Shatsk lakes for summer, or retail for Black Friday), I usually recommend starting production 3–4 weeks before launch — to leave time for tests and corrections. If an express format is needed — we discuss it separately; 48 hours for 3–4 creatives is realistic, but the concept quality suffers.

Both. Modern advertising without video is losing 60% of its potential: TikTok, Reels, YouTube Shorts, In-Stream — everything lives on video formats, and statics' CPM is higher there. Formats I work with:

  • Short video 6–15 s — for Stories, Reels, TikTok In-Feed, YouTube Shorts. The classic for performance campaigns.
  • Bumper Ads (6 s) — non-skippable YouTube, powerful for brand awareness in Lutsk and the region.
  • In-Stream 15–30 s — for YouTube TrueView, with a mandatory hook in the first 5 s (otherwise users skip).
  • Carousel video — Meta carousel where each card is a short video or animated frame.
  • Cinemagraph and motion posters — static with a motion element, works like “almost video” but with a static budget.

Complex 3D animation or shoots with actors are a separate league — for that I bring in motion-studio partners or a production house. I personally own the concept, script, edit and final polish.

This is one of the most common mistakes among Lutsk businesses — taking one creative and uploading it to every placement. Result: in Stories the logo is cut off, in Reels the text doesn't fit, in Feed the composition looks accidental. The platform cuts CPM and pessimises impressions.

I produce separate versions per placement:

  • Feed (1:1) — composition centred, text large, readable from the thumbnail.
  • Stories/Reels (9:16) — vertical, safe zones at the top (platform UI) and bottom (CTA button), hook in the upper third.
  • YouTube (16:9) — horizontal, wider composition, optimised for both smartphone and desktop screens.
  • TikTok (9:16, native style) — separate edit for a “native” look, without high-gloss polish — otherwise the algorithm cuts reach as “obvious advertising”.

It's extra work, but without it the campaign loses 30–50% efficiency. All versions come in one pack — no extra fee for “adaptation”.

Yes — this is especially relevant in Lutsk because of the proximity to the Polish border (~70 km to Yagodyn). Many Volyn businesses — agro, food industry, crafts, textiles — are oriented toward export to Poland, Czech Republic, Germany. Creatives for these markets follow fundamentally different logic:

  • Language and tone — Polish creatives work differently from Ukrainian. Direct selling in PL is less effective; an emotional hook and brand story matter more.
  • Visual codes — what works well for the Ukrainian consumer reads as “cheap advertising” in Germany. For DE/AT — minimalism, certifications, facts.
  • Platforms — in PL a big chunk is Allegro Ads, OLX Ads (a separate platform), plus Meta and Google. In DE — Google dominates, Instagram is active among the younger audience.
  • Localisation — not just translation but adaptation of CTAs, prices, currencies, links. Working with SEO and Google Ads for export is a specialised task.

I have experience with campaigns for Volyn exporters in PL, DE, CZ — I can show cases at the brief.

A creative is not “hand off and forget”. All ad platforms have creative fatigue — after 7–14 days of active impressions the CTR drops, CPM rises because the audience has “burned out” seeing the creative. So I work in a cycle:

  • Weeks 1–2 after launch — A/B test 3–5 variants, lock in winners.
  • Weeks 3–4 — scale the top creative, prepare a new batch of variants for refresh.
  • Month 2+ — regular rotation: 30–40% of creatives refreshed each month to keep fatigue under control.

Metrics I watch: CTR, CPM, CPC, CPA, ROAS, hook rate (% of people who watched the first 3 s), completion rate for video. If you already have ad analytics running — I plug into the data. If not — we set up an analytics base first, otherwise testing without data is a guessing game.

Yes — and this is the most common scenario. If your brand already has a corporate style, colours, typography — I produce new creatives within your system: using approved colours, fonts, graphic elements, photo style. This guarantees that ads in Stories and your website look like one brand, not two different companies.

If the brand-guide is incomplete (e.g., there's a logo but no rules for social content) — at the start I work on a mini-system for ads: defining ad templates, a typographic grid, safe zones, logo versions for different backgrounds.

If there's no brand-guide at all or it needs an update — I recommend starting with full branding or a logo refresh, otherwise every creative will “reinvent” the brand. That's only effective for early-stage startups testing the market.

Yes — these are a significant share of my Lutsk clients. Local budgets of 5–30k UAH/month for advertising are the reality of the Volyn market, and creatives for such budgets follow their own logic:

  • Smaller pack — 3–5 creatives instead of 15–20, but high quality and tested.
  • More universal formats — static with a motion element that resizes to 4–5 placements without redrawn versions.
  • Performance focus, not awareness — each creative has a clear lead/sale formula, not a “brand story”.
  • No extra production costs — no actors, no shoot, no 3D — using existing product photos, licensed stock, motion graphics.

For small cafés on Lesi Ukrainky, beauty salons on Vynnychenka, local retailers in PortCity mall — this format delivers real leads without overspend. If the budget is larger and a serious reach format is needed — we move to a full branding package.

Why choose me?

Comparison with other options

Alex FiliukLocal motion freelancer
Meetings in Lutsk✅ In person at brief❌ Online only
Volyn market understanding✅ 15+ years with the region❓ Often without context
Hook + offer + CTA structure✅ Every creative built on the formula📋 Focus on aesthetics only
A/B testing of variants✅ 3–5 versions ready to test❌ Usually 1 final version
Placement adaptation✅ Feed/Stories/Reels/TikTok separate⚠️ Resize from one format
Brand consistency✅ Aligned with brand-guide📋 Each creative in its own style
Metric-driven iterations✅ CTR/CPM/ROAS analysis and updates❌ Hand off and forget
Production speed✅ 3–7 days per pack🔄 2–3 weeks
Post-delivery support✅ 14 days of corrections included💰 Extra charge

Ad Creatives in Lutsk, Ukraine — Banners, Video, Static | Alex Filiuk

Ad Creatives in Lutsk — banners, video and carousels for paid campaigns

Paid advertising in 2026 is 70% creative and 30% setup. You can have a perfect funnel, flawless targeting and a competitive budget — but if a banner or video doesn't grab attention in the first 1.5 seconds, the ad budget burns without a result. This is especially sensitive for businesses in Lutsk and the Volyn region, where local budgets are moderate (5–30k UAH/month) and competition for the customer's attention in Instagram feed, Google Display and TikTok intensifies every month. I'm Alex Filiuk, a Senior designer with 15 years of experience, designing ad creatives for businesses in Lutsk, Volyn and across Ukraine. My portfolio includes 500+ creatives for paid campaigns — from static banners for local cafés to full video series for export-oriented Volyn brands.

This page is a practical guide for a business owner or marketing lead in Lutsk planning a paid ads launch or optimisation: how a modern creative actually works, why the hook + offer + CTA formula is critical, how to adapt creatives to different platforms, how much it costs, and why it pays off to work with an experienced Senior designer rather than hiring a random motion freelancer from a Telegram channel.

Why creative is 70% of paid ads success

A few years ago, paid advertising could be “bought out”: place a high bid and impressions reached the right audience. Today the market is different. Media inflation in Meta and Google in 2024–2026 has grown by 30–40%, the auction is dense, the audience is overloaded with content. The average Instagram feed for a Lutsk resident shows 80–150 ad impressions per day. Only 1–3 of them get noticed.

In these conditions, the winner is the one whose creative:

  • Stops the scroll in the first second — through visual contrast, intrigue, an unexpected hook.
  • Holds attention for 3–5 seconds — exactly long enough to deliver the offer.
  • Drives action — click, lead, purchase, subscription via a clear CTA.
  • Works on cold audiences — without prior brand knowledge.

Setting up Google Ads or Meta Ads is hygiene — without it nothing flies, but it's not a winning strategy. The winning strategy is a properly tuned campaign + an optimised landing page + a strong creative. Without the creative, the other two are watering dry land.

Hook + offer + CTA formula: the foundation of every creative

Over 15 years of work I've seen hundreds of ad campaigns — and I propose a clear formula that consistently delivers results. Every creative I produce passes a checklist on three mandatory elements.

Hook — the first 1.5 seconds

The hook stops the scroll. It doesn't have to “sell”; its only job is to keep the user from scrolling past. What works as a hook in 2026:

  • Visual contrast — sudden colour change, motion in static, an unexpected frame.
  • Provocative question — “Did you know that 80% of Volyn businesses…?”, “Why doesn't your website bring leads?”.
  • A number or fact — “−40% till Friday”, “3 min from PortCity”, “1500+ happy clients”.
  • A face or emotion — a human face on screen lifts hook rate by 25–35%.
  • Counter-intuitive statement — “Don't buy from us if…”, “This ad isn't for everyone”.

Offer — concrete value

The offer is the reason the user should keep engaging. Bad offer: “We're high-quality and convenient”. Good offer: “Free delivery in Lutsk on orders from 500 UAH”. The difference is in specificity and measurability.

A strong offer for a Lutsk business usually has:

  • A specific number — discount %, delivery time, number of bonuses.
  • Time pressure — “till Friday”, “only this week”, “first 50 customers”.
  • A local hook — “in Lutsk”, “on Vynnychenka”, “delivery across Volyn”.
  • A specific problem solved — not generic “better life”, but “no waiting for a technician”.

CTA — instruction to act

CTA — call to action — the final push. The biggest mistake is not specifying a CTA at all or using a vague “Learn more” where “Order” is needed. CTA works when it's specific and aligned with the destination:

  • “Order” — for e-commerce, leads to product page.
  • “Submit form” — for services, leads to a form.
  • “Book now” — for beauty, medicine, education.
  • “Download price list” — for B2B, captures a lead without aggressive pressure.
  • “See catalogue” — softer, for indecisive audiences in research mode.

Placement adaptation: why one creative doesn't cover all placements

The most common mistake among Lutsk businesses is creating one creative (often square) and uploading it to every Meta and Google placement. Result: in Stories the logo gets cropped, in Reels the text spills past the safe zone, in Feed the composition looks accidental. The platform's algorithm sees an “unsuitable format”, cuts CPM, pessimises impressions. Budget is spent, but reach and CTR drop by 30–50%.

The correct approach — separate creatives per placement, accounting for specifics:

  • Meta Feed (1:1, 4:5) — main composition centred, text large, readable from a 200x200 px thumbnail. Logo at the bottom or in a corner, not overlapping the key object.
  • Stories and Reels (9:16) — full-screen vertical. Safe zones: top 14% (Instagram UI with avatar) and bottom 20% (CTA button). Hook in the upper third — below that the user won't see it before scrolling.
  • Google Display (multiple sizes) — IAB standards 300x250, 728x90, 160x600, 320x100, 970x250. Each size needs separate composition alignment.
  • YouTube In-Stream (16:9) — horizontal, hook critical in the first 5 seconds (skippable). Text in TV-safe zones.
  • YouTube Shorts (9:16) — vertical, dynamic, hook in the first second. Works similarly to Reels.
  • TikTok In-Feed (9:16, native style) — separate logic. Can't make “glossy” advertising — the algorithm cuts it as “obvious advertising”. Need native editing as if it's organic content.
  • Performance Max — Google automatically rotates different asset combinations, so you need 5–15 image variants, 5–10 headlines, 4–5 descriptions. The more quality assets, the better the ML algorithm picks winning combinations.

For a Lutsk business running Meta + Google + TikTok simultaneously, a typical pack is 12–20 separate creatives across placements. This isn't “extra cost”, it's necessary hygiene for normal auction performance.

How creatives differ for Meta, Google and TikTok

Each platform is a separate culture with its own unwritten rules. A creative that explodes on TikTok can flop on Facebook, and vice versa.

  • Meta (Facebook + Instagram) — older audience (25–55), values brand aesthetics, willing to watch 8–15 seconds of video, responds to emotional stories and social proof. “Polished” style works, but with a human face.
  • Google Display — banner advertising on partner sites (including Ukrainian media). Clarity of offer, readability from a distance, brand recognition matter most. Works as a “reminder” for warm audiences.
  • YouTube — wants video style, but a remote market. Hook in the first 5 s, then storytelling, CTA at the end. For Lutsk, localisation works well: “in Lutsk and the region”, “across Volyn”.
  • TikTok — completely different logic. Younger audience (15–35), here they don't like “advertising that looks like advertising”. Needs native style: shot “on a phone”, with trending music, edited to the beat. Glossy production quality hurts here.

For Volyn export-oriented brands launching campaigns to Poland, Czech Republic, Germany — there's an additional cultural adaptation layer. Polish audiences perceive advertising differently than Ukrainian (more emotion, less direct pressure). German — differently than Polish (factuality, minimalism, certifications). So one universal version doesn't work — localisation per market is needed.

A/B testing of creatives: how to test correctly

A/B testing is a mandatory stage of any serious campaign. A single creative in a vacuum is a lottery. Testing 3–5 variants gives a realistic picture of what works for your audience.

How I structure a test:

  1. Week 1: hook test. I prepare 3–5 variants with different opening frames — different hook, but same offer and CTA. Launch on a test budget (15–25% of monthly), watch CTR, CPM, hook rate. Within 5–7 days the winner is clear.
  2. Weeks 2–3: offer test on the top hook. Take the winner from the previous round, test different offer formulations: discount vs deadline vs bonus. See what converts better.
  3. Weeks 3–4: scaling. Top hook + top offer = working creative receiving the main budget. Weaker variants are turned off.
  4. Month 2+: rotation against fatigue. Within 3–4 weeks even the best creative starts to “burn out”: CTR falls, CPM rises. The next wave needs to be prepared in advance — it's a continuous process.

Without proper analytics, testing is impossible. So creatives are always discussed in conjunction with campaign analytics and landing page optimisation. If you don't have GA4 + Meta Pixel + conversions — we set those up first, then launch creatives.

How much does ad-creative production cost in Lutsk

Pricing comes from volume, format and number of variants — not geography. Approximate ranges (exact figures in the “Pricing” block above):

  • Starter pack. 5–8 static creatives for 1–2 placements, base brand styling, 2–3 hook variants. Suits small local businesses with up to 10k UAH/month ad budget.
  • Standard pack. 10–15 creatives in mixed formats (statics + 1–2 short videos up to 15 s), adaptation across 4–5 placements, 4–5 hook variants. The most popular choice among Volyn businesses with 15–30k UAH/month ad budget.
  • Premium pack. Full production: 20+ creatives, video series for Reels/TikTok/YouTube Shorts, separate Performance Max versions, full campaign creative concept, motion graphics. For brands with 50k+ UAH/month budget or export-oriented campaigns.
  • Rotation subscription. Monthly creative bank top-up — 5–10 new pieces per month, plus metric analysis and corrections. For businesses running ads non-stop.

If you order creatives bundled with Google Ads setup, SMM management or email marketing — combined packages are 15–20% cheaper than the sum of individual services.

Common mistakes Lutsk businesses make with creatives

  • One creative for all placements. A square image uploaded to Feed, Stories and TikTok. The platform cuts CPM. Fix: separate versions per placement.
  • Creative without a hook. First frame is a static product photo with the logo. The user doesn't stop. Fix: provocative visual, face, number, contrast.
  • Vague offer. “Come in, we're great” isn't an offer. Fix: specific number, deadline, bonus, local hook.
  • No A/B testing. One creative for an entire campaign. If it didn't land — feels like “ads don't work”. Fix: minimum 3 hook variants at start.
  • Ignoring creative fatigue. The same creative running 2–3 months. CTR falls, CPM rises. Fix: monthly rotation of 30–40% of creatives.
  • Cutting corners on adaptation. “Make one creative, we'll resize ourselves”. Usually ends in distorted versions and CPM loss. Fix: plan separate versions from the start.
  • Style mismatch with the brand. Creatives look like “generic advertising”, not your brand. Fix: creative within brand-guide or a mini ad system.
  • CTA mismatch with landing page. Creative says “Order”, landing is about a blog. Fix: alignment between landing UX and creative.

Ad creative trends 2025–2026

  • UGC style. Creatives that look like organic user content — without polished production quality. Especially effective on TikTok and Reels.
  • Native ad style. Advertising mimicking the platform format — like Stories, like Reels, like TikTok video. The algorithm doesn't cut for “obvious advertising”.
  • AI-generated assets. Stable Diffusion, Midjourney, Sora for visual and short-video generation. Savings on stock photography, unique visuals without shoot costs.
  • Mobile-first vertical. 70%+ of impressions are mobile. Creatives are made for 9:16 first, then adapted to other formats — not the other way around.
  • Fast cuts. Frame change every 0.8–1.5 s — to hold the attention of the TikTok generation. Slow narrative in performance campaigns doesn't work.
  • Carousel storytelling. Instead of one banner — a series of 5–7 cards, each revealing an aspect of the product. Deeper engagement, higher ROAS.
  • Localisation by placement culture. One concept in 5+ variations — platform style dictates the tonality.

Cases and portfolio

My portfolio includes 130+ projects, of which ~80 involve ad creatives for paid campaigns. I've worked across business categories: retail, e-commerce, services, manufacturing, IT startups, education. Among the clients — companies from Lutsk and Volyn, Kyiv, Lviv, Rivne, as well as the USA and EU. This lets me see how local Volyn businesses compete with national and international brands on the same ad auction.

If you want to see specific cases for your niche — visit the “Projects” section or write via the contact form: I'll pick 5–10 most relevant cases and show not just the final creatives but the metrics — CTR before/after, CPA dynamics, hook rate.

What you receive in the final pack

  • Working files: PSD/AI/Figma — so you can make changes yourself or hand off to another designer.
  • Platform exports: MP4 (H.264), PNG (with transparency), JPG, GIF — in formats Meta, Google, TikTok, YouTube accept without extra conversion.
  • Per-placement versions: 1:1 (Feed), 9:16 (Stories/Reels), 16:9 (YouTube), 4:5 (Feed alt), IAB-standard banners for Display.
  • 3–5 hook variants for A/B testing at launch.
  • Figma templates for ongoing self-service updates (text changes, offer swaps, new dates).
  • Text variants for offers and CTAs — primary text, headline, description across Meta and Google formats.
  • Brand guide for ads (if no brand document exists yet) — logo usage rules in creatives, typographic grid, safe zones.
  • 14 days of corrections after delivery — minor changes (text edits, date swaps, new prices) free of charge.

My other services for businesses in Lutsk

Creatives are part of an ecosystem. For paid advertising to perform fully, a complex approach is recommended:

  • Google Ads setup — Search, Display, Performance Max, YouTube — full cycle for your niche.
  • SMM strategy — comprehensive social media management, where ads are just part of the funnel.
  • Landing conversion optimisation — so traffic from ads doesn't leak but converts to leads.
  • Branding — full visual system that delivers consistency between ads, website and social media.
  • Logo design — the foundation for all advertising materials.
  • Landing UI/UX design — critical for performance campaigns.
  • Web development — if the landing page needs an update or a build from scratch.
  • Email marketing — warming leads from ads with email sequences.
  • SEO — for long-term organic presence alongside paid campaigns.
  • Business consulting — strategy before launching large ad budgets.

Ad creatives in other Ukrainian cities

I work not only with Volyn businesses. Among other locations I actively cooperate with on creatives for paid advertising:

  • Lviv — IT, creative business, gastronomy, export brands
  • Kyiv — national brands, e-commerce, IT products
  • Rivne — adjacent to Lutsk, joint agro campaigns
  • Odesa — retail, tourism, e-commerce
  • Dnipro — manufacturing, B2B, technology brands
  • Kharkiv — IT, education, engineering

The full list of locations is on the “Service Areas” page.

Ready to discuss creatives for your ad campaign in Lutsk?

If you have a request — fill in the contact form or write to email/Telegram (contacts in the footer). The first consultation is free, up to 60 minutes. We discuss: your product, audience, current ad campaigns and their metrics, competitors in the Volyn market, budget and goals. After that you receive a detailed proposal with a fixed price — no surprises, no hidden fees.

I'm ready to design ad creatives for your business in Lutsk that actually generate leads — not just “look nice in a portfolio”.