I design print collateral for businesses in Rivne — from business cards and letterheads to catalogues, packaging, labels and outdoor advertising. I handle pre-press, CMYK colour correction and bleeds, so the printed file comes back exactly as it looked on screen.
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We'll discuss format, print run and preferences
Receive print-ready layouts
I design printed materials of any format and complexity
Stylish business cards considering printing method: offset, digital, embossing, foil stamping.
Brochures, leaflets and flyers for advertising campaigns, events and promotions.
Multi-page product catalogs, corporate magazines and annual reports.
Product packaging: boxes, labels, stickers, bags considering manufacturing requirements.
Large-format materials: roll-up banners, press walls, signage, promotional stands.
Mugs, t-shirts, caps, notebooks, pens and other branded merchandise.
Car wrap design — passenger, cargo, corporate fleet. Eye-catching advertising that works around the clock.
Creative sticker packs for your brand — product labels, merch, promo materials and messenger stickers.
I clarify objectives, target audience, format, print run, and printing house technical requirements.
I develop the visual concept and create a layout aligned with the brand's corporate identity.
I make revisions, polish details, check text content, and information hierarchy.
I prepare files in CMYK format with bleeds, crop marks, and printing house technical specs.
If needed, I oversee the printing process, check color proofs, and final product quality.
Choose the optimal package for your project
1 print layout
$30$50What's included:
Up to 12 pages
$150$200What's included:
Comprehensive design
$300$400What's included:
20 stickers
$200$280What's included:
Examples of completed projects
Answers to the most popular questions
Cost depends on the medium and scope. Basic items — business card, letterhead, envelope, folder — are flat-rate "per unit" packages. Multi-page editions — booklets, catalogues, newsletters — are calculated by the number of spreads and layout complexity. Packaging and labels are scoped separately because they involve advanced pre-press, a technical dieline and coordination with the manufacturer.
Reference points: a business card from scratch starts at the basic package, a corporate kit (card + letterhead + envelope + folder) is a standard package, a 16-32 page catalogue is a premium package. Rivne businesses ordering print together with branding or logo design get combined packages — cheaper than the sum of individual services.
Yes. In Rivne I have worked with various print houses — offset, digital and wide-format (for outdoor advertising). Each has its own technical requirements: ICC profile, bleed format, minimum ink coverage, font handling, PDF export specs.
Before final export I check with your contractor which standard they work to, and prepare files for it: PDF/X-1a or PDF/X-4, Total Ink Limit 280-320%, bleed 2-5 mm, fonts converted to outlines. If you don't have a printer yet — I'll recommend trusted ones. This saves you 1-2 iterations of back-and-forth with their account manager.
Pre-press is the preparation of the design for production. It includes: colour conversion from RGB to CMYK with correction for the specific paper, setting bleeds (2-5 mm) and a safe zone for text, fixing overprints, converting fonts to outlines, checking image resolution (300 dpi for offset, 150-200 for wide format).
Without pre-press even the best design prints with artefacts: thin lines disappear, black turns grey, text gets cropped. It's not an "extra step" — it's the baseline norm. If a designer doesn't do pre-press, you're paying for a nice screen image, not a finished business card in Rivne.
Yes — it's a separate but very common request from Rivne-region manufacturers: food industry, cosmetics, local craft producers. Packaging needs more work than a business card: I receive a dieline (technical unfolded layout of the box/label) from you or your manufacturer, agree the material with the production technologist, and design every face — front, side and back — at once.
For labels I separately consider the application method: pressure-sensitive, thermal transfer, in-mold, tampon print. Each one imposes its own constraints on fine details. If you also need a logo or brand identity — it's done in a single cycle.
Depends on the medium:
If faster is needed — we discuss expedited format. If the project comes bundled with a website — some stages run in parallel.
Yes. The standard delivery package for Rivne clients includes working files (Adobe Illustrator AI for single-page items, InDesign INDD for multi-page editions, Photoshop PSD for raster materials) plus exported PDFs in print format (PDF/X-1a or PDF/X-4) and a web PDF for presentations.
This is a principled position — you're paying for the design and you should be able to reprint at another printer later, update an address on a letterhead, swap a manager's name on a card. Without working files you depend on me (or on the printer) for years. That's not partnership, that's lock-in — and I avoid it.
Through a three-step system. Step 1: I work on a calibrated monitor in CMYK with an ICC profile for your paper stock (coated, uncoated, design paper — each has its own profile). Step 2: before the run we produce a digital proof at the actual printer — it gives a realistic picture of what offset will deliver. Step 3: for critical colours (brand, skin tone, product) we use Pantone or spot inks.
For a Rivne business where the brand colour must be identical across business card, letterhead, packaging and signage — the Pantone approach is the most reliable. It's an extra investment, but justified for brands where colour is part of recognition.
That's a normal — and quite common — scenario. If you have a complete brand book (colours, typography, usage rules), I work within it and produce print in unified style. If you only have a vector logo but no brand book, I start with a mini-audit: we pick a palette, typography and graphic rules that become the foundation for the print collateral and future media.
If you only have a raster logo in JPG or PNG, I recommend doing a vector redraw before the print job. Without a vector, anything bigger than A4 will always show pixel artefacts in print.
Yes — it's one of the most popular tracks in the local HoReCa segment. Rivne has a saturated market of cafés, restaurants, bistros, bars and delivery services. A menu isn't just a list of dishes; it's a sales tool: price anchoring, appetite triggers, navigation through a guest's eyes.
I design menus with the actual UX of a guest in mind: which dish is read first, where the visual trap is, how top items are highlighted, how typography is organised for the waiter's convenience. Separately I account for operating conditions: lamination, water resistance, fold (soft or hard), format (A4 / A5 / triptych / leporello). Often I deliver a QR menu for online access in parallel and align it with a landing page for the venue.
Yes. Outdoor advertising is its own class of task with its own technique. You have to factor in: viewing distance (text from 5 m, 30 m, 100 m demands different sizes and contrasts), material (banner fabric, acrylic, composite, vinyl), lighting (day, night, side light, lightbox), file format (for wide format, typically 100-150 dpi at actual size, but in CMYK with the right profile).
In Rivne I align the artwork with the specific sign manufacturer — each one has its own requirements. Often I do this together with the venue's brand identity, so the sign, façade, indoor wayfinding and print collateral inside (menu, business cards, leaflets) work as one system.
No problem. Most of my clients aren't only Rivne but also Lviv, Kyiv, Dubno, Ostroh, Kostopil, Zdolbuniv. Print design is easy to order remotely: brief via questionnaire or video call, presentations via Figma + PDF prototypes, colour sign-off via digital proof (the printer mails you a sample).
If your printer is in another city, I prepare files to its technical specs. If you're happy with delivery from Rivne, I'll suggest local manufacturers who ship across Ukraine. For clients from Rivne who travel to Kyiv or Lviv, I can also meet there — schedule permitting.
Yes — for critical orders such as the first run of new packaging, a launch batch of business cards, or a large catalogue, this dramatically reduces the risk of error. I go with you or instead of you to the press sign-off at a Rivne printer: I look at how the run prints, whether there are stray artefacts, whether the colour registration is correct, whether the paper matches the order.
It's especially valuable for clients who have never worked with offset before and don't know what to look for. The service is included in the premium package or ordered separately. For clients from Kyiv or Odesa who print in Rivne for the price advantage, I often act as their "eyes on the floor" and photograph the proof.
Comparison with other options
| Alex Filiuk | Printer with in-house designer | |
|---|---|---|
| Design approach | ✅ Designed from scratch for your brand | 📋 Template + logo swap |
| Pre-press and CMYK | ✅ Colour correction, ICC profiles, 3 mm bleed | ⚠️ Often RGB, bleeds "by eye" |
| Fonts and licences | ✅ Licensed, converted to outlines | ❓ Often pirated, risky for edits |
| Meetings in Rivne | ✅ In person, with printed samples | ⚠️ Only at the printer's reception |
| Press proof | ✅ Agreed before the run | 💰 Often a separate charge |
| Paper and finishing | ✅ Picked to fit the task: varnish, embossing, foil | 📋 Standard stock from the printer |
| Source files after project | ✅ Working AI/INDD + PDF/X-1a | ❌ Usually only the final PDF |
| Support before the run | ✅ I go to the printer with you for sign-off | ⚠️ Run goes "on the client's responsibility" |
Print is the class of design where mistakes cost the most. If you find an inaccuracy in a website mockup, you fix it in 5 minutes and redeploy. If the mistake shows up in a 5,000-card run or a 1,000-box packaging order — that's wasted money, lost time and missed deadlines. That's why I treat print design in Rivne with production-grade discipline: I think about the printer at the same time as composition, about the paper at the same time as colour, about bleed margins at the same time as typography.
I'm Alex Filiuk, Senior UI/UX and graphic designer with 15 years of experience. In that time more than 300 print items have shipped to production — business cards, letterheads, folders, newsletters, brochures, catalogues, packaging, labels, leaflets, restaurant menus, outdoor advertising. Clients include companies from Rivne and the Rivne region, from Kyiv, Lviv, Odesa, the USA and Europe. On this page I've gathered everything a business owner or marketing lead should know before commissioning print design in Rivne: what the process looks like, what pre-press is, how to avoid typical mistakes when working with printers, how much it costs, which medium suits which task.
Rivne has it all: offset printers with strong equipment, digital boutique shops for short runs, wide-format manufacturers for outdoor advertising, packaging plants. The market is dense, prices are competitive (especially compared with Kyiv). That's why clients from Lviv, Lutsk, Khmelnytskyi and Ternopil come to Rivne for print — savings can reach 20-40% at the same quality.
But there's a catch: design and production are different professions. Most Rivne printers have an "in-house designer" who can quickly typeset your business card from a template for $5-15. It looks like "design" too. In practice, it's a recycled stock template already used by dozens of businesses in town, with no understanding of your audience, no branding logic, no legibility check. If you're a local café on Soborna or a medical centre on Chornovola, and a customer sees your card next to 5-7 others — there's no chance to stand out.
I work not as a "designer attached to a printer" but as an independent specialist with the full cycle: design, pre-press, coordination with the manufacturer, run control. It costs more than a template at the printer, but the result pays back within months through stronger recognition and lead conversion. If you're planning a serious market entry — consider the comprehensive route: branding, logo, print collateral in unified logic.
Print is a broad category, so I split it by sub-category. Each one has its own approach.
I work via a transparent process where each stage has a fixed deliverable you can see. No "trust me and wait" — you know what's happening every week.
The price comes from the scope of work, not from geography. Reference points (exact figures are in the "Pricing" block):
If you order print together with branding, a website or ad creatives — the combined package costs less than the sum of individual services. It's business logic: one context, one typographic logic, shared market research.
Pre-press is the preparation of the layout for a specific printer. It isn't a "technical formality" — it's a separate craft that distinguishes good design from "design that doesn't print". Here are the key aspects I work with.
If a "designer" hands you a JPG or PNG "for print" — that's a guarantee of problems on the run. JPG is unsuitable for print in principle: no vector objects, no fonts, no bleeds, no CMYK. It's a marker that the person doesn't understand the production process.
In Rivne I've worked with various manufacturers — from large offset houses to small digital boutique shops. Tips for choosing:
If you haven't picked a Rivne printer yet — I'll recommend trusted ones for your task. It's free, part of the work.
My portfolio includes 130+ projects, a substantial portion of which involves print — either as the main deliverable or as part of full branding. Clients include retail, HoReCa, medical centres, manufacturers and IT startups from Rivne, Kyiv, Lviv, Odesa, the USA and Europe.
If you'd like concrete examples — visit the Projects section or get in touch via the contact form: I'll pick 5-10 most relevant cases for your niche — for instance, if you're opening a café in Rivne, I'll show menus and HoReCa kits; if you're launching a product in retail, I'll show packaging projects.
Print collateral for Rivne businesses has specifics I factor in:
Print is part of an ecosystem. If you're planning a serious launch or rebrand, a comprehensive approach is worth considering:
I work not only with Rivne. If you have offices in several cities or are planning regional expansion — we'll build a system that scales:
The full list of locations is on the Service Areas page.
If you have a specific request — fill in the contact form or write to email/Telegram (contacts in the website footer). The first consultation is free, up to 60 minutes. We'll discuss your business, which media you need, an approximate budget, the printers you plan to use, and timelines. After that I'll send a detailed proposal with a fixed price — no surprises, no hidden fees.
I'm ready to design print collateral for your business in Rivne that doesn't need rework on the run and works for the brand for years. Not "another business card", but a marketing tool with production-grade precision.